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Apartments in this quarter:
Via
della Vetrina: "Rossini", an elegant studio apartment.
Vicolo
Savelli: "Bramante", an elegant one bedroom apartment with sitting/dining room
and loft.
Vicolo della Cancelleria: "Michelangelo", a two bedroom
apartment in a 17th century palazzo. Two bathrooms
You will find the map of the quarter, with precise indication of
where the apartments are, in the section A2 of the map of Rome, please click here. Once
you will be in the page, click on section A2, the exact location of the
apartments will be shown. If you want to go directly to section A2, please click here.
As mentioned, the Piazza Navona
and the Campo de' Fiori quarters are in the same area, as if they formed
one quarter. Considering their countless aspects we will consider them separately, and
only in their most important highlights (it would take one thick book to mention them
all).
The square was built exactly on the area of emperor Domitian's stadium (81-96 AD), and
retains the stadium's oblong shape with a rounded north end. It was the largest in ancient
Rome, larger than the Coliseum, and could seat 50,000 spectators. The stadium's name was
"Circus Agonalis" (competition arena), which became corrupted
to "n'Agona", and eventually "Navona". Thanks to hydraulic
engineering, naval battles engaging up to 3,000 antagonists were performed (they were
called "naumachiae"). |

Piazza Navona |
It later became a baroque jewel, with masterpieces of Bernini (the
Fountain of the Four Rivers and the Fountain of the Moor), Calderari (the
Fountain of Neptune) and Borromini (the Church of Sant'Agnese in Agone).
Ruins of the ancient stadium can still be seen under the palaces (please see the last
photo). Today the Piazza strikes visitors for its harmony and colours, combined with its
elegance and charm. Varied people stroll or attend the piazza. One can find tourists,
intellectuals, kids playing, freaks and elegant "signori, painters and artists
selling their works right in the square. The kaleidoscopic, lively, cosmopolitan
atmosphere blending history, art, and love for life, i.e. the peculiar Roman character,
has here its most imaginative representation, disclosing to one's senses the Eternal
City's universal dimension, which makes it such a magical place.
Piazza Navona has been for long used as a place for meeting and processions. During
daytime life seems to be revolving around the open-air cafes, and around the artists'
stands (you can have your caricature or painting at a modest cost). Like all Rome's
squares and streets, the piazza changes aspect at night, when the atmosphere becomes
imaginative, people seem to be mesmerized, and enjoying themselves more than daytime. In
December, until Epiphany, a season market is held. Traditionally, parents come here to buy
toys for their children.

The Church of Sant'Agnese in Agone,
and the Fountain of the Four Rivers. |
|

Close-up of the fountain. |
Of the 3 fountains of the Piazza, fed by the Aqua Virgo aqueduct, the most
renowned is the "Fontana dei Quattro Fiumi" (Fountain of Four
Rivers - 1651 AD), by a mature Bernini, following the decision of Pope Innocent X.
An obelisk from the Circus Maxentius was erected over a rocky grotto, from which a lion
and a horse emerge. The obelisk appears to be resting on an open cavity. The large figures
represent the main rivers of the four continents known at that time: the Danube, the River
Plate, the Ganges, and the Nile (with a veiled head to indicate that its source was still
unknown at that time).
The church of Sant'Agnese in Agone (1652 - 1670) according to tradition,
stands on the site of prostitution where St. Agnes, stripped naked, was saved by dishonour
by the miraculous growth of hair. Many architects worked on it (Rainaldi, who gave it the
Greek cross design, Borromini, Bernini, Pietro da Cortona), although the concave facade,
the dome, and the two belfries all having dynamic unity are primarily the work of
Borromini. Of all the many buildings in the piazza, noteworthy are the Palazzo
Pamphilj, at the left side of St. Agnes (please see the first photo), by
Rainaldi, with frescos by Piero da Cortona, the church Nostra Signora del Sacro
Cuore (Our Lady of the Sacred Heart Church), facing the Palazzo Pamphili, dates
from the period of Alexander VI (1492-1503). It was called San Giacomo degli Spagnoli and
it was Spain's national church in Rome. Also Palazzo Braschi, in the
southwest corner, should be mentioned. Begun in 1792 by C. Morelli for the nephews of Pius
VI, in was sold to the State, and presently it hosts the Museo di Roma,
with sculptures, paintings, drawings, prints illustrating the history of Rome from the
Middle Ages. The collection includes works by Canova, and views of Rome by Ippolito Caffi.
| The elegant facade of the church of Santa
Maria della Pace dominates the adjacent Piazza della Pace, towards the west of
the northern end. The first reconstruction of this sanctuary was undertaken by B. Pontelli
at the behest of Sixtus IV, in 1482. The pope chose the name "della Pace" to
anticipate the peace he hoped to restore in Italy. In the 17th century, under Alexander
VII, the church was rebuilt again by Pietro da Cortona. A series of Corinthian columns
give rhythm to the upper part, beneath it a circular portico supported by Doric columns
projects into the piazza. |

Santa Maria della Pace church (the restoration
will end in two months).
Inside, a short rectangular nave is followed by an octagonal central body,
by Bramante. The first chapel on the right, the Chigi Chapel, contains Raphael's famous Sibyls
fresco. The the left there is a passage to the sacristy and then to the cloister
(1500-1504), still by Bramante, who determined the proportions to ensure remarkable
effects of shade and light. |

The belfry seen from one of the byways north of
the square. |
The street departing from the church, Via della Pace, has an
"L" shape.

Via della Pace, morning market |

Via della Pace, the Caffè della Pace |
In its first part there are two cafes which among the liveliest and trendy in Rome,
especially at night. In the second part, towards the Piazza del Fico, there is a little
morning market.

The Pasquino statue |
To the west of the southern end of the Piazza
Navona is an ancient copy of a Hellenistic statue from Pergamon, part of a group
representing Menelaus carrying the body of Patroclus, known as Pasquino
(the piazza in front of it is the Piazza Pasquino). The statue is so warn out that when it
was discovered some wanted to get rid of it. Bernini on the contrary like it. People have
begun using it to present protests (called "Pasquinate", the famous
"pasquinades"), or their point of views about things. They are hanged on the
statue, which is one the talking statues of Rome. From Piazza Pasquino there departs
westwards the Via del Governo Vecchio. |

Oratorio dei Filippini, and Santa Maria
in Valicella, the "Chiesa Nuova" ("New Church") |
At No.39 is the Palazzo del Governo Vecchio (Old
Government Palace), built between 1473 and 1477, which became the official residence of
the Governor of Rome in 1624.
It acquired its present name when the government was moved to Palazzo Madama by Pope
Benedict XIV (mid-18th century). Following Via del Governo Vecchio one reaches westwards Piazza
della Chiesa Nuova. The two adjacent facades overlooking the Piazza belong to Santa
Maria in Valicella, known as the Chiesa Nuova ("New Church"),
and the Oratorio dei Filippini (Oratory of St. Philip Neri). Gregory XIII
gave the church to the St. Philip's Neri Oratorian Confederation, who commissioned its
rebuilding in 1575. The reconstruction was entrusted first to Matteo da Citta' di
Castello, and then to Martino Longhi the elder. The facade is by Paolo Rughesi, completed
in 1605. The interior has rich baroque decorations. Caravaggio supplied the Descent from
the Cross, later moved to the Vatican, and replaced with a copy (second chapel on
the right). The choir has three masterpieces by the young Rubens. The splendid frescoes in
the apse, the cupola and the nave were all painted by Pietro della Cortona (1650-1655).
The adjoining Oratory of the Filippini, by Borromini, contrasts with the more conventional
facade of the Chiesa Nuova, and was built in bricks, in accordance with the wishes of the
Oratorians. It is full of movements thanks to Borromini's use of curves. The entire
compound is slightly concave, yet the central bay is convex at the ground floor, and is
concave in the floor above. The windows are ornate.

Piazza Febo |

One of the entrances of the Domitian stadium,
which is beneath the palaces encircling the square. |
Going back to the northern end of Piazza Navona, it is surrounded by two elegant
squares: the green Piazza Febo, and
Piazza Cinque Lune (Five Moons Square). As you can see in the right photo, the palazzi
surrounding the Piazza Navona are built on top of the "cavea", the stepped stone
seating, designed to accommodate 50,000 spectators. You can visit the ancient
Roman monuments beneath the Piazza Navona and Campo Marzio area. The entrance in Piazza
Tor Sanguigna 13 (behind the palazzi of the northern part of Piazza Navona).
There are guided tours in English on Saturday and Sunday between 10 AM until 1 PM, and on
Tuesday and Saturday between 9 PM and 11 PM. The entrance fee is only 10,000 Ital. Lira
(app. 4.8 US$, or 5.16 Euros). The tours are also in French, German, Spanish but on
demand. Information and reservation: tel. 062412352 and 062413287.
Go to this page if you want to have a complete information
on the restaurants in the area, some of which offer a 10% discount to Roman
Homes customers (click on the underscored text). |